High-quality stereo aplications in small to medium sized rooms
Home theater: Main / Center / Rear with subwoofer support
Klang & Ton 02 / 2013
In this as in all other respects, the new driver is perfect: even at 95 decibel the driver has almost no distortions, has almost no resonance up to almost 10 kilohertz and shows a perfectly balanced frequency response ... The processing is Waveor-typical excellent - they only have the best materials installed.
8 thoughts on "DXT-MON"
Impressions from the “Taxi Race” on March 10.03.2018th, XNUMX in Vienna
How about the 3-way extension of the DXT-MON?
That would be particularly interesting for me, since I'm currently building the middle-high-tone section.
A DXT-MON-EXT would be really great.
Why is the sonogram less smooth on the DXT-MON-RLY, than the one for DXT-MON? When it's the same cut-out on the baffle and the same tweeter? X-over only moved 100hz.
DXT-MON-RLY has slightly less steep chamfers and a simple crossover layout => One parallel notch less than DXT-MONs crossover.
Directional behavior> = 10kHz is very sensitive in terms of an exactly mounting of the tweeter in the baffle.
Ahh ... I see now. They have slightly different width and height too. Still incredible that such small difference in cabinet and driver placement, can make one so much smoother.
Thank you for the quick reply.
I have to get in touch again because I made a small change in my hi-fi chain. What does that mean? Now the DXT-MON has got new play partners.
First, a new amplifier. I got a young used Yamaha A-S2100 at a low price. On the other hand, a new DAC. Here I also use a used benchmark DAC2-D that is attached to the MacBook Pro via USB. This DAC delivers the signal to the Yamaha via an XLR connector. The benchmark DAC2 was also broken, power supply defective. I got an external power supply from the web and connected it to the benchmark. And it works!
And what's the point? In terms of sound, the whole thing is an absolute dream. The loudspeaker practically disappears from the listening room and the music sounds crystal clear in all its facets and the bass is nicely contoured and dry.
In contrast, my other parts (AOS Studio 24XL with DSP-ClassD-Amp) can pack!
since the 3rd way to the DXT-MON is in the pipeline:
In my humble opinion, the new WF275BD01 / 02 would be an ideal addition to this system. Is linear up to 400Hz and with regard to other parameters with a resonance frequency of 27Hz is ideal and the mechanical losses are extremely low, so ideally suitable for the WF152BD06.